On Thanksgiving Day, millions of Americans will take a break from their daily grind for food, family, and the subsequent Tryptophan-induced nap. But you? You’re an Oozil person.

That means you’re always working, even on a day off, as that big ol’ brain of yours constantly generates new ideas and finds new inspiration everywhere you look. With that in mind, here’s a mini-break for you, in the form of five clever Thanksgiving-inspired commercials.

#5) A Little Turkey with Your Butter?

If you think the food industry goes too far today in trying to market the use of their products, check out this Thanksgiving ad produced by the American Dairy Association in 1956. Ingredients: 1 turkey, 10 lbs. butter, 1 shroud.

#4) Take That, Uncle Randy

It’s not just your family that puts the “dys” in “dysfunctional.” Teenage Sarah does what every brooding adolescent dreams of, and turns the tables on an annoying relative, XBOX-style.

#3) “You Talkin’ to Me, Turkey?”

It’s not every day you see actors like Robert De Niro and Billy Crystal wear ridiculous get-ups for a TV commercial-sized paycheck. Looks like even icons have the holiday spirit.

#2) Cavity Dig

Jennie-O has a whole string of clever ads produced over the years to market their oven-ready turkeys. This one capitalizes on every homemaker’s shared disgust at the act of removing the giblet bag from a grocery store turkey.

#1) Brotherhood of Manly Turkey Carvers

One humble guy with an electric carving knife finally becomes a real man, thanks to one serendipitous choice.

Happy Thanksgiving from Oozil.

By Elizabeth Kelly

In the creative world, standing out from the crowd is usually a good thing. Every marketing student knows that having unique ideas is what separates the winningly successful from the ho-hum.

But standing out can also be the kiss of death if you don’t know how to use the concept effectively. An ad campaign that aims to attract attention by being distinctive can sometimes have the opposite of the intended effect, turning off potential customers in the process.

A bad concept is a lot like that guy at the office. You know the one: the guy with the wacky tie who thinks he’s really shaking things up, fashion-wise. He cracks terrible jokes constantly, thinking he’s the funniest guy in the building because of the nervous laughter he receives from a couple of co-workers trying to be polite.

The saddest think about wacky tie guy is just how clueless he is. A comical tie isn’t a forward-thinking fashion concept. It’s still a tie after all.  In fact, the most creative guy at work may be wearing no tie at all.

Bad jokes don’t make you funny either. The funniest guy in the office may not even tell jokes: he cracks everyone up with his hilarious way of describing everyday events.

The problem is, a lot of ideas are the creative equivalent of the wacky tie. They stand out from the rest, but not in a good way. When used car salesmen first started shouting in commercials, they probably startled people into noticing.

Those commercials are certainly different from others, but if having a fat guy in a bad suit yell out car prices was effective, you can bet the big auto makers would be doing it in national ads.

Do you want an ad campaign that stands out like a bad tie or a screaming salesman? Or do you want something that makes people stop, think, and say to themselves, “I’ve never seen that before.”

Creative thinking is organic. It comes from deep within. You can’t put it on like a Looney Toons tie. The good news is, if you can spot the difference between a bad joke and a good joke, or a good campaign versus an annoying campaign, you’ve got an ear for it. If you can’t, you may be guilty of trying too hard.

At Oozil, we’re looking for people who know the difference. People like you, with standout ideas. You can even work at home. That means no tie is necessary (especially not wacky ones.)

By Elizabeth Kelly

Some of the latest news in advertising and marketing proves that the business is a study in contrasts. In this tech-savvy era of split-second attention spans, forward thinking is an absolute essential. On the other hand, some of the tried-and-true maxims of marketing still hold true.

Is that a David Bowie making a web on your porch? Probably not, as he’s indigenous to Malaysia.

If you’re confused, you missed the story on German arachnid expert Peter Jager, who named his most recent discovery Heteropoda davidbowie, after the rock icon who brought us Ziggy Stardust and the Spiders from Mars.

Jager has intentionally given the arachnid an attention-getting name in the hopes of drawing public awareness to endangered spider species. It’s working. The Heteropoda davidbowie scored an article in the LA Times and several other media outlets. When was the last time you read about an arachnid expert?

Jager is not just a scientist, but a master marketer.

Microblogging service Twitter, which many businesses are now taking advantage of as a powerful and simple ad tool, may soon start carrying ads. A recent change to the terms of service opens the door for targeted ads to appear on users’ pages.

Twitter reached 44.5 million unique visitors last June, proving that the possibilities for reaping ad-generated revenue are through the roof.

It’s not just Twitter that’s evolving. A recent article in the UK’s Guardian profiles media owner Vice. Says the Guardian, “A new breed of agency is not just making ads, but creating ready meals, signing bands and blurring the boundaries.” They mention Vice’s “global network of writers, photographers, designers and artists.” (Hmm, sounds familiar.)

But, at the same time that marketing ideas are catapulting into the future, there’s something to be said for continuing the use of traditional mediums, too. In a recent USA Today column , business expert Steve Strauss emphasizes the importance of newspaper ads at a time when many are saying the medium is losing ground.

Strauss shows that for specific types of advertisers, newspapers can be an integral part of their ad campaign, especially to reach niche markets. Says Strauss, “62% of those with postgraduate degrees said they read a newspaper in an average week.” Newspaper readers also tend to be more affluent these days.

Addressing the issue of fewer readers, Strauss says there’s an upside. Less ads means that yours stands out even more.

“In addition, lower circulation means that the people who do read the paper are more committed to it and more likely to read it closely. Moreover, since these discerning readers tend to have more disposable income, that means they make better potential customers.”

It can be difficult to strike the balance between progressive thinking and time-honored sensibility. Oozil is up to the challenge. Are you forward-thinking enough to recognize it?

By Elizabeth Kelly

The ad world attracts some interesting people, and no wonder. The level of creativity required to come up with a unique idea that stands out in a sea of unique ideas is sky high. While you may be familiar with some of the big names in the history of the biz, like guru David Ogilvy, or founder of modern advertising David Lasker, some of the famous names that have worked in advertising may surprise you.

Herschell Gordon Lewis, for example. While he may not be a household name, he’s well-known to horror movie fans and cult film buffs as the father of “the splatter film.” Also known as the “Godfather of Gore,” Lewis started producing and directing low-budget films in the ’60s, such as Two Thousand Maniacs. Lewis recouped his minimal investments in spades, cashing in on the movies’ drive-in popularity and the burgeoning interest in horror movies.

Lewis was a master of marketing, and no wonder. He started out as an adman, working for an agency and teaching graduate courses in advertising at night. He then moved on to directing commercials for Alexander and Associates before he turned to film directing. Despite his notoriety as a filmmaker, Lewis still cranks out the books on marketing and also teaches seminars. He has a new film planned for 2009.

Comedian and TV star Bob Newhart also started in advertising, working as a copywriter for independent film and TV producer Fred Niles in Chicago in 1959. Newhart and one of his co-workers entertained each other with humorous phone calls, which became the basis of his audition tapes and helped develop the schtick that would later make him famous.

Other funny men have also worked in advertising, such as Stan Freberg, who voiced a multitude of Warner Bros. characters, and Don Novello, who worked in Chicago as a copywriter for Leo Burnett before donning priestly garments as Saturday Night Live’s Father Guido Sarducci. Terry Gilliam, the filmmaker and Monty Python cast member responsible for the comedy troupe’s bizarre animations, worked at an advertising agency when he was fresh out of college.

Actors who have worked in advertising before becoming famous names include Sir Alec Guinness, who wrote copy before making his stage debut, and Rick Moranis of Ghostbusters and Honey, I Shrunk the Kids fame. Pretty in Pink director John Hughes also started as an ad man.

It’s not just funny guys and filmmakers who worked in the advertising world. Some of the greatest literary writers have also written ad copy, most notably F. Scott Fitzgerald, author of The Great Gatsby (and the man who coined the term “The Jazz Age.) Mystery writers Dorothy L. Sayers and Dashiell Hammet (The Thin Man) also worked in the ad biz, Ms. Sayers using it as the subject of one of her acclaimed ’30s novels, Murder Must Advertise.

If you find it surprising that advertising attracts so many brilliant minds, Oozil doesn’t. That’s why the site was created: to bring together today’s best creative workers. Whether you seek the next great literary mind, a forward-thinking filmmaker, or a comic genius who can turn out witty phrases, Oozil is the meeting place.

Find the next big thing at Oozil –even before it’s the next big thing.

By Elizabeth Kelly