As Oozil prepares to move us into the future, it’s interesting to think about the past and its relationship to advertising. As much change as we’ve experienced in the last hundred years, from technological advances to social, cultural, and political changes, some of the main components of advertising are still surprisingly the same.

Take a look through the advertisements in 19th century copies of Harper’s Weekly, and while you’ll see unfamiliar products like laundry ringers and velocipedes, you’ll find that the techniques used are similar to ones still in use today. People still buy for the same reasons that they did one hundred years ago, looking for products to enhance their lives in some way.

An 1866 ad for a family sewing machine includes a written testimonial from Mrs. Ulysses S. Grant, who says that “…I can hardly see how any thing could be more complete or give better satisfaction.” The celebrity endorsement was in full swing long before radio or television.

Other ads used clever wording and verses to sell their products. Dr. Wolcott’s Pain Paint is proof that there’s always been room for unusual health cures (remember “Head-On. Apply directly to the forehead?”) Dr.Wolcott’s clever poem also alluded to current events, mentioning the impeachment of 1868.

Today, some ad campaigns even reach into the past to find their sales hook. Building a brand can be hard, but if you can associate a product with a pre-existing icon, one that has already established an image, then you’ve built a product image in an instant.

That’s what GAP did a few years ago when they used film footage of Audrey Hepburn in black capris to almost singlehandedly make the look popular with women again. Prior to that, GAP launched a successful ad campaign using actual photographs of legendary people wearing their khakis. And not just any famous names, but some of the most famous names of all time: James Dean, JFK, Marilyn Monroe, Bogart, Picasso.

The effect was more controversial when Dirt Devil chose to splice footage of Fred Astaire dancing with images of their product, making it appear that Astaire was dancing with a vacuum cleaner. While many were appalled and thought it was disrespectful of the movie icon, Dirt Devil left the commercial on for a whole year, enjoying the added attention the controversy brought.

Author Kinky Friedman says that no matter what obscure, jungle-deep, untouched-by-civilization place you travel, the people there will still recognize Elvis, Jesus and Coca-Cola. If that doesn’t show the impact of an icon, I don’t know what does.

While today we’re marketing iPods and phone apps and tomorrow it might be hovercrafts, the message is the same as it was when we were hawking mustache wax. If anything, it only emphasizes the importance of finding creatives who can deliver that message again and again in new and exciting ways.

And where to find them? You’re in the right place.

by Elizabeth Kelly